In 2018, the protagonist of tapes like Magic Mike – 80% and Special Command – 85%, Channing Tatum, received some unfortunate news: his pet, a female Pitbull Catahoula named Lulu, was diagnosed with cancer. Realizing that his beloved companion had little time left to live, the actor decided to take a hiatus from his career and embark on what would be their last road trip together. During this experience, he was able to say goodbye to him on his own terms, accepting the harsh reality of the situation and being grateful for the time spent with his faithful friend. Dog: A Wild Ride – 80%, the directorial debut of Tatumtakes this memory as direct inspiration and delivers a moving tribute to what is considered man’s best friend.
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The film, written by Reid Carolin (co-director) and Brett Rodriguez, is a road comedy about an ex-soldier and a Belgian shepherd, both with characters that are very difficult to understand but that they will have to put up with if they want to say goodbye to Her best friend. On this journey, they will learn about vulnerability and the importance of having each other. In the cast we can find Channing Tatum, Ryder McLaughlin, Aavi Haas Y luke forbes.
Since its early release in some North American theaters, critics have been carried away by the sentimental wave that drives this film, calling the whole a solid small-scale drama that tugs at wholesale heartstrings. Soon we will tell you in detail what other things are commented on the debut of Tatum.
for the press, Dog: A Wild Ride It doesn’t offer anything you haven’t seen in similarly themed movies, but it’s a pretty good version of it. Much of its success is said to have come from the way it embraces its unabashedly sentimental tone, giving the viewer the dramatic beats and tear-jerking scenes you’d expect from a film like this. Despite its uneven pacing and shallow take on the issues it touches on, it’s moving how Tatum and Carolin approach the story with heart from the direction, offering a sensitive, engaging and realistic look at what happens when you lose someone. a loved one
Critics point to the performance of Tatum as the pillar that supports the film from beginning to end, bringing easy and relaxed grace to the material. In reviews, you can read that the actor balances exasperation, quiet joy, and deep empathy for his character’s inner turmoil, allowing us to become emotionally involved in his journey. For the media, a film as loose as this would be a total disaster if it weren’t for the solid performance of its cast: the fun that its leading man and company had making it is reflected directly on the screen. As if that weren’t enough, this debut offers a poignant perspective on the physical and emotional toll soldiers take after going to war, hidden away on a charming road trip among friends.
Finally, Dog: A Wild Ride – 80% doesn’t have grand ambitions or seek to be the next cinematic masterpiece, it’s just a farewell letter that is equal parts moving and funny. The film marks a warm comeback for Tatumturning a deeply personal memory into a story we can all resonate with.
Here is a compilation of reviews and reviews Dog: The Wild Journey – 80%:
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A. O. Scott from New York Times:
“Dog” is unabashedly sentimental. A movie about a dog and a soldier could hardly be otherwise. Fortunately, Tatum’s self-deprecating charm and Carolin’s script keep the story on the tolerable side.
Peter Debruge of Variety:
…it’s a cheesy, but by no means lazy, crowd-pleasing film: the fun Tatum and company had in making it is directly reflected in the pleasure we take in watching it.
Todd McCarthy from dead line:
The power of ‘Dog’ lies in its comedy of half-canine, half-human friendship, which is cool enough, even if its aim is scattered and its comedic tone is decidedly unpredictable.
David Ehrlich from IndieWire:
…a film as loose as “Dog” would be a total disaster were it not for Tatum’s ability to maintain his hilarious tone. He may not try very hard in this role, but it’s always fun to see an actor who understands so well how to wield his own appeal.
Stephanie Zacharek from TIME:
Not everything works in ‘Dog’: sometimes you can see its directors struggling to find the right tone and they don’t quite succeed. And the film is not completely free of nonsense. But seeing Tatum is pure pleasure. He is an actor full of easy and relaxed grace.
Jesse Hassenger of The AV Club:
It is not innovative material. But as a whole, ‘Dog’ is believable as a small-scale drama with some light, youthful comedy moments between a man and a stray dog.
Ross Bonaime of Collider:
“Dog” is often funny, a warm comeback for Tatum and, for the most part, an engaging story of a man (and a dog) who find exactly what they need to move on.
Soren Anderson of The Seattle Times:
…Tatum balances exasperation, quiet playfulness, and deep empathy for his character and Lulu’s inner turmoil. His mastery of the role and his confident direction of the film make “Dog” a very engaging experience.
Nell Minnow from rogerebert.com:
“Dog” is uneven in tone and quality, but it is moving in the way Tatum and Carolin approach the story with care and heart.
katie walsh from Los Angeles Times:
While some parts could have needed more care and attention, Carolin and Tatum’s directing instincts bring a fresh approach to these kinds of movies. It is a pleasure to say that this is a good dog.
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