The movie “Resurrection”… when the ideal life turns into hell because of someone’s return | art

The movie “Resurrection” in 2022, a 103-minute psychological drama, by American writer, producer and director Andrew Seamans (born in 1988). It is a work that attempts to reveal the long-term effects of ill-treatment, and it was shown within the activities of the 2022 Sundance Film Festival, which was held in London from 9-12 of this month, and is expected to go to theaters on August 5.

It stars British actress Rebecca Hall, who was previously nominated for two BAFTAs, and the Sundance Festival previously screened her the psychological horror movie “The Night House” in 2020, before returning to it in 2021, in the drama “Basing”. (Passing) in her first work as an author and director, and was nominated for 4 BAFTA Awards, opposite British star Tim Roth, who was previously nominated for an Oscar.

The events revolve around a woman who seriously struggles to balance the requirements of her career and her single care of her family, as a “single” mother who has a big secret that makes her try to protect her daughter, before her life turns into hell, after the sudden appearance of a man from her past, which forces her to confront this The monster you ran away from decades ago, in an atmosphere of terror.

Hall’s talent is awesome

Resurrection is a work that film critic David Ehrlich says is “impressively confusing, enticing with a false sense of security, after making it difficult to let your guard down for the first twenty minutes that begins with a cold, simple workplace, mother-daughter drama, and then explodes into… A horrific psychological thriller.”

Described by critic Jordan Raub as “one of the most unsettling viewing experiences to date” it provides an additional fascinating display of the immense talent of the star, which critic Jessica Kiang finds that there are very few actors “who have her ability and talent to embody difficult characters, and cleverness in portraying the lack of Mental and behavioral stability.

“Apocalypse” is considered by critic William Bibbani to be “a really strange and shocking thriller, with nothing not scary” but sees Hall as “a masterful performer, and one of the best at conveying complex psychological trauma, watching her confident character break into a disturbing scene, no Makes us need to know the details of her pain, after making us trust her pain.”

As Todd McCarthy says of Hall, “her mere presence imparts a sense of confident intelligence to any character she plays.” As for the critic Benjamin Lee, he reached in his fascination to say that “Holl’s performance was greater than the film itself.”

Margaret the strong and scared

“Resurrection” is about the trauma, grief, and madness of a woman “whose traumatic past has spoiled the serene life she had built as a successful businesswoman and mother,” says critic Karen James.

We see Margaret (Hall) “a woman whose character slides from fear and anxiety, to universal anger and legitimate (paranoia)” haunted by the trauma of her youth, making her filled with rage, surrounded by threat and “looking like a tower of strength, but built on a foundation of weakness”, he says. Benjamin Lee.

The heroine of the film, “her obsession with keeping her daughter puts the girl in further danger, and her fear of the world makes her a very frightening character.”

First, through a glass-walled office, we are introduced to Margaret, a successful CEO, in a neat wig and gray business suit, who has a well-appointed apartment in upstate New York, an ambitious figure, an impressively strong and supportive woman, and a “single” mother of a teen about to enter. A college student, Abby (Grace Kaufman), knows nothing of her mother’s plight, except that one day she found a molar in her wallet and became a victim of a different kind of emotional trauma, resisting as much as she could, despite the dearth of happiness or stability in her overprotective life.

Her mother does not allow her to ride a bike, after an injury to her leg, and insists that she stay at home on her 18th birthday, and that she constantly monitors her return home dates, and mocks her weakness, and exhorts her harshly about “toughness and self-reliance.”

It is Margaret who does not stop exhorting intern Gwen (Anguilla Wong Carbone) to stand up for herself, saying, “Sadists never understand why other people don’t enjoy their sadism as much as they do.”

The movie “Resurrection” is a realistic experience of excitement and fear (communication sites)

Threads gather

Threads begin to gather, and it turns out that when Margaret mentioned “sadism” she knew what she was talking about, and we unravel the mystery of the molar that was in her purse. When she attends a scientific conference, and as she looks across the room, she has a severe panic attack, after catching a glimpse of David (Tim Roth).

David, seemingly a little dry and calm, but sinister and turbulent, needs nothing more than a sadistic smile in a split second to say it all. And who Margaret has not seen for two decades, after escaping the clutches of his brutal manipulation and his “poisonous sadism” relationship to find herself now feeling like he’s everywhere, and when she muster the courage to confront him, his horrific smile shows that he has lost a molar.

In a scene from one close-up without cutting, revealing the horrors of decades-long trauma, as Margaret looks into the camera, she presents an 8-minute monologue, in which she describes in detail the horrific events she experienced as a teenager, 22 years ago, that resulted in An experience that changed her life for the worse, and made her a symbolic image of the victims of abuse, and she had a terrifying nightmare in which she saw a roasted child screaming until it was charred.

Although the scene was interpretive and theatrical, “Hole made it a captivating monologue,” according to Karen James.

Margaret told no one, and was unable to handle the situation, but, with David trying to control her again, her next step was to pull out her weapon, and from this point the film escalates into the confrontation between two increasingly fearsome characters.